Over the past 50 years, Sheila Hicks has proved that fiber art has an infinite capacity for innovation. Some of her works are attached to walls while others are free standing structures. In many respects, the minimes illustrate how Hicks absorbs and reinterprets the diverse influences and environments around her. Born in Nebraska in 1934, Sheila Hicks was exposed at an early age to both the functional and aesthetic qualities of fiber work. See our Privacy Policy for more information about cookies. And what should we squelch before it goes too far? At the same time, Hicks is also well known for her large, bespoke installations. These concurrent interests naturally led Hicks to Albers’ wife, Anni, a textile specialist who would facilitate Hicks’ introduction to the world of weaving. And tapestry was one of them, but traditionally the prestigious one. She has worked in Mexico as well as Paris. Installation at the Toronto Textile Museum, 2016 | Source. Among these include: bunched “ponytail” braids, intertwined multicolor spools, wrapped spherical bundles as well as embroidered intricate shapes. As such, we honor Hicks for her role in bringing a greater understanding and appreciation to the genre of fiber and fabric as a whole. Among these include: bunched “ponytail” braids, intertwined multicolor spools, wrapped spherical bundles as well as embroidered intricate shapes. Here at WeaveUp, we love how digital printing technology offers you the opportunity to transform your own artistic vision into material reality. Sheila Hicksis a contemporary American artist known for her innovative use of weaving and sculptural installations. By continuing to use our sites and applications, you agree to our use of cookies. Ranging from small wall hangings that the artist refers to as minimes, to enormous site-specific works, Hicks’s works blur the distinction between fine art and craft. These small-scale works, woven upon a handloom, represent a testing ground for color, texture, and style. In her tapestries, sculptures, and installations, the American artist, who lives in Paris, experiments with tactility, color, nature and the poetry of fabrics, and questions of cultural appropriation. For this reason, Hicks has famously described herself as being “thread conscious.”, Lianes de Beauvais at the Centre Pompidou, 2013 | Source. Many of these are intended to be experienced not only visually, but also tactilely and spatially. “Sheila Hicks is considered the best living textile artist, so it is fantastic to be able to bring her to the Museo Precolombino. 4810 Hope Valley Road, Suite 210, Durham, NC 27707. It is interesting to note that Hicks entered the sphere of formal education with a focus on painting. All rights reserved. So my work was equated with a kind of graffiti. ©2020 Artnet Worldwide Corporation. Upon returning to Yale to complete her graduate studies, Hicks began to rebuff against the artificial parameters separating painting and sculpture from what she could create with fibers and woven materials. At the same time, Hicks is also well known for her large, bespoke installations. She draws from historical traditions in addition to modernist precepts. Meanwhile, George Kubler’s course on Latin America nurtured Hicks’ growing fascination with indigenous textiles. Pioneering fiber artist Sheila Hicks blurs the boundary between painting and sculpture with her vibrant woven and textile works, which she creates in many shapes and sizes, from wall mountings that mimic the format of painting to suspended pieces that hang from ceiling to floor like textured columns. This week we continue our Women’s History Month series with a closer look at the incredible work of fiber artist, Sheila Hicks. Her pieces have encompassed entire building structures as well as minimalist patches of wall. Hicks’ career embodies the extremes of artistic venture. The female members of her family ensured that she was grounded in all manner of knitting and sewing techniques. Silk Rainforest at the Smithsonian American Art Museum, 2011 | Source. During her time at Yale, her professor, renowned artist Josef Albers, instructed her in the principles behind the modernist Bauhaus style, particularly the under-acknowledged merit of the so-called “applied” arts. This experimental attitude is exemplified in Hicks’ extensive collection of “minimes”. She has produced work for both private commercial commissions as well as prestigious museums of art and design. Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. As such, they often incorporate found materials such as feathers or shells while also playing with the warp and weft to create unexpected unwoven effects. Time to make your designs shine … literally! artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. In 1957, thanks to a Fulbright scholarship, Hicks traveled to South America to explore a vast variety of artisanal fiber techniques. It is hard to think of a contemporary artist who has done more to advance the medium of textiles than Sheila Hicks. While Hicks is not strictly a textile designer, she helped pave the way for a more open-minded investigation of the arbitrary divide between traditional crafts and those deemed professional arts. Silk Rainforest at the Smithsonian American Art Museum, 2011 | Source. This innovative stance would become a strong undercurrent throughout her professional career. Hicks has created intense monochromatic studies and vibrant polychromatic wonders. Installation for the Ford Foundation Building, 2015 | Source. I was moving around between different techniques — of stitching, wrapping, braiding, weaving, twining — exploring all these different thread languages. In Hicks’ own words: What is tapestry and what is not? Furthermore, Hicks has even imaginatively reworked some of her installations to fit different spaces. Hicks studied at Yale under the famed color theorist Josef Albers and was encouraged by Albers’ textile … And finally, the fibers in her works have been manipulated in nearly every technique imaginable. Sheila Hicks, whose first solo exhibition in Austria is staged by the MAK – Museum of Applied Arts, Vienna, has been inspired by Josef and Anni Albers to explore the world of Modernism.