Because the intervals are different, the sound of the scale is very different. At the very least give you an idea of who to check out: Please send an e-mail with your thoughts about the Phrygian Dominant. Root Note. As you might know, the guitar works in five positions. Now let’s get to the minor scale. The A minor has a G#. This means that an Ab Scale contains the same notes as C Phrygian. Look at the formula again, the Phrygian Dominant mode contains all the notes of a Domi-nant 7 arpeggio (1, 3, 5 and b7) plus some excellent extensions (b9, 11 and b13). He cordially invites all guitar lovers from absolute beginner to advanced to come and learn how to play the guitar with his excellent teachers! Phrygian Natural Third is the exact same scale as the original phrygian, except it has a natural third instead of a flat 3rd. Quick Tip! Why you need to just get started to become a successful guitarist. This can be done in every key on the piano making there 12 different phrygian modes. Playing C phrygian with the tonal center of Ab would defeat the purpose of using this mode. The Phrygian Scale emerged in the ancient Greece together with other scales such as Locrian and Mixolydian. (#5) – (An easy way to remember– think of it as the “third man” – famous movie…). Look at the image below and see how you build a Phrygian mode by first building the major scale Parallel Scales Famous guitarists utilising the Phrygian mode frequently: This is obviously not an exhaustive list, neither does it include all the guitarists who love using the scale. I've always stressed the huge benefits of ear training, so you can recognise such chord sequences when they're played and know intuitively how to accompany them.. As explained in the video, the most common chords used from the phrygian dominant scale are the 1 (I), 2 (II), 4 … Using this scale in conjunction with the original phrygian scale can add some great alternate harmonies. Flamenco music also utilises the Arab maqām Ḥijāzī scale (exactly the same as the Phrygian major third but with a natural 6th instead of the b6). This is why the BDim7/G7b9 arpeggio in the last lesson sounds so good; it is contained in the Phrygian Dominant scale. Phrygian b4. A normal major scale has a set of intervals that make it sound very plain. Remember to change the tonal center of the song to the mode you are playing in. The phrygian mode uses the formula of semitones and tones: S – T – T – T – S – T – T Which in half and whole steps is: H – W – W – W – H – W – W Degrees of the Phrygian scale. In other words, the Phrygian Dominant scale is the “5th mode” of the Harmonic Minor scale. So instead of making things too complicated, we can always say that we are improvising using C major and then we can play the G natural (to produce E Phrygian) and at other times G# (to produce the Phrygian Dominant). (along with the flattened sixth and seventh degrees) Die phrygisch-dominante Tonleiter (oder kurz Phrygisch-Dur) wird auch je nach Zweck oder Region auch die Orientalische, die Spanische, die Jüdische oder kombiniert die Spanisch-Phrygische Tonleiter genannt. The E major scale has four sharps and contains the notes E, F#, G#, A, B, C#, D#, E. In order to make E Phrygian, you would flat the second, third, sixth, and seventh notes in the scale. Keep it tasteful. You can also build a phrygian scale by moving up or down a major third. Because of the b3 and b7 in the scale, it creates a min7 chord. Major and minor keys are definitely interchangeable. ), Main Branch: C - Db - E - F - G - Ab - Bb. The Phrygian mode is great for soling and improvising. This lesson I will be showing you some examples from the Phrygian Dominant scale, which is the 5th mode of the harmonic minor scale. The formula of the Phrygian dominant: 1b2 3 4 5 b6 b7  (E – F – G# – A – B – C – D), The most prominent sound would be the major third and the sound created with the wide interval of a tone and a half between b2 and 3. Use this scale from time to time with the phrygian scale. It has a very unique sound that almost has a Spanish feel to it. G major – 4 beats In the classical age, Phrygian melodies was considered merry and amiable. A relevant scale is the Phrygian b4 (flat four). If we are in A Minor (the relative minor of C Major) then the fifth degree is called E major assuming you are using a harmonic minor. The G Phrygian is a mode of the Eb Major Scale. Quick Tip! We covered the harmonic minor in a last month's lesson, but I want to spend a little more time with this mode in this lesson. If I analyse this from C major’s perspective it would simply be a C major with a G#. Degree bII: major But did you know that it's possible to transform these chords into great sounding melodies and basslines easily? Using phrygian dominant is where the Spanish Bullfight sound comes from. It contains exactly the same notes, but starts on another note. This D Phrygian Dominant (Spanish Gypsy) backing track originally appeared on my Jam Tracks Exotica disc. E Phrygian Mode. It’s a favourite scale of Yngwie Malmsteen and various other guitarists. What makes a mode different from other scales is its unique set of intervals that they have. E Phrygian Notes: E, F, G, A, B, C, D, E. Notice in the picture that the notes in E phrygian are the same notes that are in the C major Scale. The G Phrygian scale consists of seven notes. The formula of the Phrygian dominant: 1b2 3 4 5 b6 b7 (E – F – G# – A – B – C – D) The most prominent sound would be the major third and the sound created with the wide interval of a tone and a half between b2 and 3. C Phrygian is the third mode of the Ab major scale; C Phrygian Scale Notes: C Db Eb F G Ab Bb Phrygian Scale Formula: 1 b2 b3 4 5 b6 b7 Phrygian Scale Intervals: H W W W H W W Although it’s not technically speaking the Phrygian major third mode, it can be used interchangeably (with the Phygrian major third) when improvising. Everything is where its supposed to be, it resolves to the root, it’s just not very distinct sounding. I like to call it the Spanish-Bullfighting scale. the dominant) of the harmonic minor scale.