The noise-masking acoustic diffusion you get in the best live venues lets you get away with all kinds of tricks, from extreme EQing to dynamics processing that would sound awful on a studio album. For larger or unusually shaped choirs that require multiple microphones, try to observe the 3:1 Rule: Most drum overhead mic stands offer an adjustable counterweight on the boom arm. Ambient miking can really make your drum sound — even when you’re not blessed with the greatest of spaces. The On Stage SB96+ is a surprisingly well-made drum overhead mic stand for the price. Note: when placing drum mics, it’s important to remember that sticks and hands and cymbals will be falling very hard near them, so make sure your mics aren’t in the way of the player or a rogue ride cymbal. In a live setting, the biggest challenge most engineers face is getting the most gain without feedback, and the noise onstage and from the venue’s mechanical systems typically masks finer details like the noise floor of the mics. Overheads-Condenser Cardioid Mic- 1-2 ft. or so above cymbals. Mod… Remember, these are just guidelines, always defer to the judgment of your ears. This article breaks down mic placement to the individual drum pieces. The overhead microphone, which is closest to the hihat is in this placement moved further away from the hihat, which can be a lifesaver if the hihat is a bit overbearing when played hard - since there is less of it in the overheads, it makes it easier for you to control with a close mic. Ride & Crash Cymbals place Use Cardioid mic pointed straight up and down over cymbal or straight up from the bottom. In an ideal world, we’d always be able to record drums in a great-sounding room — one of a decent size that, with just a little knowledge of mic technique, makes it almost effortless to capture the sound of a live drum kit, enhanced with nice room ambience. These are basic one mic set-ups that cover the entire kit. Place them 1 to 2 feet above the cymbals, just forward of the drummer’s head. Place X-Y mics in the center and set up spaced stereo pairs so that they follow the 3:1 rule (the mics should be set up 3 to 6 feet apart if they are 1 to 2 feet above the cymbals). It doesn’t matter if it’s a r ecording or live session, getting the best sound quality is super important right?. Others suggest that height, plus another 2-3 feet. 2-3 feet in front of the first row should give you a balanced sound. The On Stage SB96+ only offers a weight on the end of the boom that is not adjustable, so you may want to pick up some sandbags to weight it down just to be safe. The overhead microphone, which is closest to the hihat is in this placement moved further away from the hihat, which can be a lifesaver if the hihat is a bit overbearing when played hard - since there is less of it in the overheads, it makes it easier for you to control with a close mic. Well in this article I’m going to cover five of the best overhead drum mics you can get today.. As a bonus, I’ll also cover 3 MUST KNOW placement techniques and technical lingo to make sure you get the most bang for your buck with whichever mic you buy. How close? Best Overhead Drum Mics & Best Brands for Overhead Drum Mic In spite of the fact that a set of drums can make rather loud sounds, having a mic in the right place is required in certain situations. To mic the drumset with overhead mics, you can use either the X-Y coincident technique or spaced stereo pairs. If using more than one overhead mic, check the polarity between the two (as well as between the overheads and kick and snare mics) and flip the phase accordingly Make sure to pan your mics according to where they are on the kit, far left and far right, etc. Raising the mics makes all the singers equidistant and prevents the front row singers from overwhelming the back row . Less airspace is better.